About Us
Arus Balik which could be translated into English as “returning of the tide” is a reference to the Indonesian author Pramoedya Ananta Toer’s epic book Arus Balik (1995). This project uses it not only because “the book reverses the usual picture of Europe’s age of discovery” but also expresses our idea of collaborative rematriation to the motherland[1]. Arus Balik is the vision to return cultural heritage, traditional knowledge and values back to the original owners, of shifting perspective from colonisation to decolonisation, of decentering knowledge, and of growing awareness for open communication, access, historic connections and collective reclaims. It stands for a commitment to co-create new values that lead to reconciliation and a better future for humanity.
This project will be carried out from March 2023 until March 2024 and will involve local and international stakeholders that agree on striving towards reconciliation with the colonial past and being aware of its afterlives both in Europe and Indonesia.
[1] Further readings on Arus Balik, please check, among others: Chris GoGwilt, “Writing to the World.” https://www.insideindonesia.org/writing-to-the-world.
Pressing Matter: Ownership, Value and the Question of Colonial Heritage in Museums
Pressing Matter investigates the potentialities of ‘colonial objects’ to support societal reconciliation with the colonial past and its afterlives, and to deal with conflicting claims by different stakeholders for these objects within museums. The project will connect fundamental theories of valuation and property to postcolonial debates on heritage to these societal debates and aims to develop and test, first, new theoretical models of value and ownership and, second, new forms of return that address but move beyond current approaches to heritage restitution, while developing a theory of object potentialities grounded in the entangled, multipolar histories in which colonial objects were collected, kept and made meaningful.
Pressing Matter is a four-year international research programme about colonial heritage and its legacies, financed by the Dutch National Science Agenda (NWA) and coordinated from the Vrije Universiteit Amsterdam. Partners are the National Museum of World Cultures, Museum Bronbeek, Museum Vrolik, Rijksmuseum, the museums of Utrecht University and University of Groningen, Foundation Academic Heritage and the NIOD Institute for War, Holocaust and Genocide Studies. Societal partners are Imagine IC, The Black Archives, HAPIN Papua Support Foundation, the Rijksacademie, Framer Framed and the Peace Palace Library, the Cultural Heritage Agency of the Netherlands and DutchCulture.
